I have read too many books I have not written for reviews for yet, and I would like to be caught up, therefore I present you with some mini-reviews.
The Obelisk Gate by N. K. Jemisin:
This is the book I would love to write a full-length review for if a) I had the time and b) this book wasn’t due back at the library the moment I am writing this post. N. K. Jemisin is a phenomenal, fantastic writer—it’s true what everyone is saying that these are the best books she’s written yet—and it’s all to do with how much fine-tuned control she has over the story and its many converging threads, as well as the words and tone she uses to tell it. 10-year-old Nassun’s chapters are pieces of painful beauty, the way they balance her childness, her trauma, her cynicism, her self-loathing, and her bottomless pit of yearning for the adults in her life to love, and to have loved her, the way she wants them to, the way they were supposed to.
… [Nassun] never knows anything of his ultimate fate other than that she has killed him, which makes her a monster.
“Perhaps,” [he] tells her as she sobs these words. He holds her in his lap again, stroking her thick curls. “But you are my monster.”
The Obelisk Gate is a comparatively slower, steadier book than The Fifth Season, which doesn’t mean it’s stagnant. More is uncovered about the nature of orogeny, the obelisks and Alabaster’s plan, and Essun is running on borrowed time to understand all of them before the current Season leads to starvation and the end of all humanity. To use a geology analogy, the story, and Essun and the comm of Castrima and Nassun, are all subjected to heat and pressure on all sides, and the rising tension threatens to explode and obliterate everything around them. Essun has already had her world destroyed far too many times already, and now she has a choice to make whether she’s going to do something to prevent her grudgingly adopted world from suffering the same fate as well.
“No vote,” you say… “Leave. Go join Rennanis if they’ll have you. But if you stay, no part of this comm gets to decide that any other part of this comm is expendable. No voting on who gets to be people… This is a community. You will be unified. You will fight for each other. Or I will rusting kill every last one of you.”
Ghost Talkers by Mary Robinette Kowal:
This novel posits a World War I that contains the all-important Spirit Corps, a group of mediums who channel the ghosts of recently killed soldiers in order to obtain crucial information about the battlefield to aid the British war effort. American heiress Ginger Stuyvesant is one such medium. Like her fellow Spirit Corps members, she is beyond exhausted from channeling the influx of soldiers and handling their death experiences. When a ghost passes on information that suggests a German plot to neutralize the Spirit Corps, Ginger embarks on a dangerous mission that carries her to the front lines of battle and back to uncover both the plot and a murder.
Ghost Talkers is a breeze of a novel to read, which is an odd thing to say about a book set in World War I during the Battle of the Somme. Mary Robinette Kowal’s prose is smooth and light, and the scenes are written with levity, kindness, and warmth while retaining the horror and senseless destruction of war, and the particular form of disillusionment that characterized World War I. The characters are fun, and Kowal’s cast is composed of more than white, male soldiers, such as female nurses and hospitality women, Jamaican and Indian soldiers and aides in the war effort, and elderly and disabled soldiers and civilians.
Ginger herself was fine as a protagonist, but she never felt as having more than surface-level characterization, demonstrating generic strength, determination, and fire-branded-ness that didn’t actually tell me much about who she was, or what kind of person she was before the war. Additionally the plot involved some too-convenient twists near the end and unconvincing revelations (namely why the spy was a spy to begin with). Ultimately the historical fiction and supernatural elements of the book were far more successful than the actual story, which is a shame, because the world-building was so good.